Exhibition dates: 17 May - 13 September, 2014
Opening: Friday 16 May, 6 - 8 pm
Can literature be exhibited? Can a naked, restless dance become another form of critique of the art
institution if, like the myth of the Trojan horse, the institution is privately occupied by the artist? What if
being an artist implies having many rooms of ones’ own? By way of a ruthless combination of all likely
media and source material, the first solo exhibition in Scandinavia by French artist Lili Reynaud-Dewar
(born 1975, La Rochelle) aims to incarnate such questions.
Reynaud-Dewar lives and works in Grenoble, France. Together with Dorothée Dupuis and Valérie
Chartrain, she is the co-founder of the Feminist art and entertainment magazine Pétunia. Since 2011, she
has been leading a reading seminar from her hotel room ‘Teaching as an adolescent’ with her students at
HEAD in Geneva. This has led to a cycle of collaborative exhibitions with her students at Forde, Geneva( 2012), Consortium, Dijon and 21er Haus, Vienna (2013) and the 2014 Marrakech Biennial. Recent solo exhibitions include Emanuel Layr, Vienna (2014), Belvedere, Vienna and Clearing, New York (2013), Karma International, Zurich and Magasin, Grenoble (2012), Mary Mary, Glasgow and Bielefelder
Kunstverein (2011), Kunsthalle Basel and Frac Champagne Ardenne, Reims (2010). In 2013 and 2014
her work was also featured in group exhibitions held at the Logan Center, Chicago, The Studio Museum,
Harlem, Witte de With, Rotterdam, Kunsthall Oslo and Lisson Gallery, London. In 2013 Reynaud-
Dewar was the recipient of the prize Fondation d'entreprise Ricard, France.
Stockholm, Kungsbro strand 19
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